Jon Bon Jovi's surprising paycheck for first job at 18 has fans saying the same thing


The Bon Jovi founder and "Livin' on a Prayer" hitmaker's musical career officially began with a holiday feature for none other than the Star Wars franchise


Jon Bon Jovi during a special announcement of the "Forever Tour" at Wembley Stadium on October 24, 2025 in London, England© Getty Images
Ahad Sanwari
Ahad SanwariSenior Writer - New York
2 minutes ago
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Jon Bon Jovi, born John Francis Bongiovi Jr., may be known now as one of the most successful rock musicians in the world, as the frontman for Bon Jovi (which has sold more than 130 million copies of its music worldwide), but his career beginnings were at once both humble and surprisingly high-profile.

Jon, 63, first formed the band Bon Jovi in 1983, but began writing and playing music since he was a preteen, eventually getting his first professional job at 18 while he was out of school and trying to make ends meet while chasing his musical dreams.

Bon Jovi 1985 Jon Bon Jovi© Getty Images
Jon Bon Jovi's professional recording career began in 1980 when he was just 18

As the story goes, in 1980, Jon began working at Power Station Studios in Manhattan, which was co-owned by his cousin Tony Bongiovi, and one day, he was approached by producer Meco to contribute to a Star Wars holiday companion album he was working on, Christmas in the Stars: The Star Wars Christmas Album.

He eventually recorded the track "R2-D2 We Wish You a Merry Christmas" for the album, his very first professional recording contract, and took to social media earlier this week to share a look at that very piece of paper that changed his life — and how much bank he made with it too.

Jon Bon Jovi shares a photo of his first recording contract drafted for the Star Wars Christmas album in 1980, posted on Instagram© Instagram
"First ever contract back in 1980, always fun finding these... No doubt it's online somewhere."

"First ever contract back in 1980, always fun finding these... No doubt it's online somewhere," he wrote beside the photo shared on his Instagram page, which contracted his services for an album based on the characters from the first two Star Wars films.

The contract, dated October 15, 1980, also revealed exactly how much he was paid for the song — $180 which, when taking inflation into account, is the equivalent of just over $700 in 2025. The standard "work-for-hire" contract did exclude him from additional incentive off of royalties, though.

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For many fans of the "You Give Love a Bad Name" hitmaker, the blast from the past was truly a surprise, with many not realizing his start came with such an illustrious franchise. The album was moderately popular at the time, with one of its tracks charting on the Billboard Hot 100, and was seen as a pioneer of digital recording. However, it was also oft-parodied for its pop and disco take on Christmas and, more oddly, Star Wars.

"Wow, to think this was just the start of a rocketing career," one commented, with another similarly adding: "Super neat. Ha!! Now Jon can sit back and relax. Be proud of accomplishments and achievements," and a third going: "Wow, Jon! I'm sure this meant a lot to you back then. And you've never forgotten your roots!"

Jon Bon Jovi at the "Thank You Goodnight: The Bon Jovi Story" Special Screening at iPic Fulton Market © Getty Images
For his very first piece of music, he made a grand total of $180

As Jon told Forbes of how it all happened: "This guy Meco would hire session guys and they'd orchestrate stuff with disco beats. He did Star Wars rip-off stuff in the wake of all of George Lucas' success. And he needed a kid."

Meco needed someone with a high voice to sing lead on the track, but it turns out his own voice was too deep and mature, which led him to approach the teen Jon. "Meco tried to sing it himself, and he didn't sound like a young boy," the musician recalled. 

1977-Meco and his musicians are shown in their science-fiction-influenced outfits.© Getty Images
"This guy Meco [pictured center] would hire session guys and they'd orchestrate stuff with disco beats."

"So he said, 'Can you really sing?' I said, 'Yeah,' and he said, 'Do it.' So they wrote me down like a session musician… It took 20 minutes, there was nothing to it."

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